Book Writing & Publishing

The woman. The myth. The legend: Jordan Roter. 

She's a TV writer, screenwriter, author, and one of the funniest and most genuine people I know. I truly could talk to her for days (and I'd like to, as it would preclude the need any sort of formal abdominal workout). 

Her novel, Moms Like Us (2025, Little A), was recently optioned for the screen, and she's back to give her hot takes on:

• Midlife transitions (welcome, all my fellow perimenopause travelers!)
• Self-publishing versus traditional publishing
• The currently hot TV shows I was previously afraid to watch (Heated Rivalry, Off Campus, and Euphoria)
• Navigating publicity and marketing as an author
• The importance of remembering that you only need 1 "yes"

CONNECT WITH JORDAN ROTER

Instagram: @jordanroterauthor

CLICK HERE to order Moms Like Us

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CLICK HERE to download the Self-Publishing Starter Kit (it's free!)

In this heartfelt interview, author Cinelle Barnes shares her journey through writing A Way Home (Little A, June 9, 2026), a heart-wrenching memoir about remembering and rebuilding a life after everything known disappears in a flash. 

Her latest memoir takes us along with her as she recovers from a sudden ruptured brain aneurysm. But her journey was far more than physical. It's the healing of soul, of body, of identity. It's a woman/mother/daughter/immigrant/writer redrawing the map of herself. The mere existence of this book is a triumph, and the beautiful magic of it is a feat of awe. 

Cinelle is also the author of Monsoon Mansion: A Memoir and Malaya: Essays on Freedom. 

CONNECT WITH CINELLE BARNES

Website: cinellebarnes.com

Instagram: @cinellebarnesbooks

Writing nonfiction or memoir? Check out the on-demand Book Outlines Made Simple workshop to get your book's structure sorted out so the writing flows far more easily! 

CLICK HERE to learn more!

In this episode, I speak with Liz Lawson about her journey from YA to adult fiction (It Happened One Murder, July 2026), the realities of book launches, and insights into the publishing industry. She shares personal experiences, misconceptions about launch days, and the evolving landscape of genre categories.

TOPICS INCLUDE:

- Transitioning from YA to Adult Fiction
- Understanding Reader Expectations
- The Differences in Writing YA vs. Adult
- Navigating Genre and Audience
- The Evolution of YA and Adult Fiction
- The Challenge of Engaging Young Readers
- The Complexity of Book Marketing

CONNECT WITH LIZ LAWSON

Website: www.lizlawsonauthor.com

Instagram: @lzlwsn

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In this episode, Joan F. Smith, author of Your Soulmail is Attached (her debut adult novel), shares her journey through the publishing world, her writing process, and insights into navigating multiple editors, genres, and the realities of a writing career. 

TOPICS COVERED

• Writing process and outlining techniques
• Navigating multiple editors and genre shifts
• Balancing income and writing career
• Handling feedback and critique partners
• Publishing industry insights and author experiences

CONNECT WITH JOAN F. SMITH

Website: joanfsmithbooks.com

Instagram: @jf_smit

CLICK HERE to learn more! 

Louise Marburg has spent years devoted to the short story form. So naturally, she accidentally wrote a novel. Her debut, Fancy Meeting You, features Laura Harrigan: a psychiatrist, mother of twin boys, and pathological liar who apparently had too much personality to stay confined to a short story. Louise and I talked about what it was like to finally write a character she didn't want to let go of, and why she'd actually consider a sequel (which, she says, she'd never say about anything else she's written).

We also got into the bigger picture stuff: the current state of publishing, why small presses are having a real moment, and why luck is a bigger factor in this industry than most people want to admit. Louise is refreshingly clear-eyed about the money side of writing (hint: making loads of money isn't the point), and her take on what a publicist is actually for might shift the way you think about hiring one!

Plus we talked AI, the two completely separate industries that both call...

If you've ever thought "I could write a book about this" while watching a reality TV show at 10pm, you're going to love this episode! 

Amy Mass spent years writing for TV (you might recognize "The Goldbergs" and "Last Man Standing" from her credits), and after relocating from LA to a charming small town outside Atlanta during COVID, she channeled all of that storytelling experience into her debut novel, Reality Bites, out May 12, 2026 from Harper Perennial.

In this episode, Amy and I talk about what it actually looked like to make the leap from TV writer to novelist, including writing three books and two movies in four years, going out on submission, shelving her first manuscript, and finally landing a deal with a major publishing house. 

We also get into her writing process (she's both a pantser and a plotter), why she writes dialogue first, and how she keeps a running collection of joke scraps and character notes scattered across her phone, her laptop, and random Post-its ar...

Most authors don’t realize that publishing isn’t just about writing a book. Before long, it often becomes a full-on entrepreneurial rollercoaster. 

In this episode, I talk with Allie Hill, author of the Girlfriend's Guide to Empty Nesting, about what really happens after you hit "publish." She reveals what surprised her, what flopped, and what secretly skyrocketed her confidence. 

This episode is perfect for first-time authors, seasoned writers, or anyone curious about the gritty truth behind that glossy book cover.

(And just wait until you hear her book recommendation from the "What I'm Reading Now" segment!) 

CONNECT WITH ALLIE

Website: alliehillcoaching.com

Instagram: @alliehillcoaching

Rachel Beanland has written three novels (her newest, The Half Life, releases on July 14, 2026 from Simon & Schuster), and she's still surprised by how much each book teaches her. 

In this episode, we talk about what it actually looks like to challenge yourself as a writer—specifically, her decision to write her latest novel, The Half-Life, in first person for the first time. 

(As I've recently learned while working on my own novel, it's harder than it sounds, and Rachel has the perfect explanation as to why.)

We also get into how personal history shapes fiction (her first novel grew out of a family tragedy from nearly a century ago), why a strong sense of place isn't optional, and what happens when you trust your instincts even when the process feels messy as hell.

CONNECT WITH RACHEL

Website: rachelbeanland.com

Instagram: @rachelbeanland

Rachel Weaver wrote her memoir Dizzy at a seven-day writing residency in Wyoming where she was, by her own description, "the depressed one in the corner the whole time." The (ultimate) result? A beautifully structured, deeply honest book about chronic illness, power dynamics, and what it takes to keep living the life you want even when your body has other plans.

In this conversation, we dig into the craft and business of writing memoir. Rachel talks about why she swore she'd never write one, what finally changed her mind, and the specific structural problem that kept the book feeling like "just a story about me" for years.

We also get into the pitch that got her on this podcast (four sentences, total), what it actually means when agents say a genre is "hard to sell," why bringing in outside eyes too early can kill your momentum, and what her writing group friend Erika Kraus said about her early draft that I am going to be repeating for the rest of my life.

If you're writing a ...

If your book has been sitting in a half-finished state for longer than you'd like to admit, this episode is for you. 

I'm in the middle of writing my seventh book — my first real attempt at fiction — and I'm not even going to pretend it's going smoothly. In this episode, I talk about what keeps stalling the manuscript, what finally got me moving again, and what happened when I locked herself in a hotel room for a weekend to try to power through it (the pool situation was a distraction I did not anticipate).

This episode covers the writing retreat reality check. In other words:

• why booking the coziest hotel might actually work against you

• why having even a loose plan beats having none

• what it means to "zoom out" and add anchors to your story instead of obsessing over any one scene or chapter

I also talk about working with my critique partners (Neely Tubati Alexander and Ann Garvin), why their blunt feedback on a certain Ferris wheel scene was exactly what I n...