This week, I sat down with debut author Noël Stark, who went from wrangling chaos behind the scenes in the TV and film world to wrangling words on the page, often in 15-minute bursts. Her novel, Love Camera Action, flips the script on Hollywood romance by spotlighting the crew, not the stars (and the 3 peppers on the spice scale are sure to attract an audience quickly.
Inside the Episode:
Mary Jones' book, The Goodbye Process (July 30, 2024, Zibby Books), is, in four words, hard to put down. Her raw, vivid descriptions of characters and experiences alike quickly pierced my soul and extended my bedtime!
In this episode, Mary and I discussed her love of the short story form, some (perhaps surprising truths about writing and organizing short stories/essays, thoughts on beta readers, the querying and submission process, and our mutual love of "Days of Our Lives."
CONNECT WITH MARY
Book: The Goodbye Process
Instagram: @maryjoneswriter
X: @maryfjjones
Threads: @maryjoneswriter
Website: www.maryjoneswriter.com
WHAT MARY'S READING
All Fours by Miranda July
MENTIONS
I Miss You When I Blink by Mary Laura Philpott
You Could Make This Place Beautiful by Maggie Smith
Olive Kitteridge by Elizabeth Strout
Ava Dellaira’s adult debut novel, Exposure, comes out with Zibby Books on September 10th, 2024. She is also the author of the critically acclaimed young adult novels In Search of Us and Love Letters to the Dead, which was named Best Book of the Year by Apple, Google, BuzzFeed, the New York Public Library and the Chicago Public Library.
She is a graduate of the Iowa Writers’ Workshop, where she was a Truman Capote Fellow, and the University of Chicago. She grew up in Albuquerque, New Mexico, and now lives in Altadena, CA with her husband and their two young children.
As the Founder and CEO of Kathleen Schmidt Public Relations, Kathleen is a well- respected voice in book publishing with in-depth experience in all aspects of the industry, including as a publicist, literary agent, acquisitions editor, and ghostwriter.
Her career encompasses 30 years of creating and directing impactful and strategic global media, marketing, and branding campaigns for politicians, A-List celebrities, athletes, and high-profile personalities.
To date, she has worked on 50 New York Times bestsellers, and her clients have continuously appeared in top-tier national print, broadcast, and radio outlets such as The Today Show, Good Morning America, Vogue, Elle, Financial Times, Vanity Fair, GQ, and Sirius XM.
I was thrilled to chat with her about her perspective on book publishing as well as the rise in indie author opportunities.
EPISODE HIGHLIGHTS
The story is always unfolding...
In this episode of Write the Damn Book Already, I spoke with Diana Naranjo about her memoir (which is currently on submission). She recounts a pivotal moment where a professional connection with author Abraham Verghese (Cutting for Stone, The Covenant of Water) led to her first agent connection.
Instagram: @dnaranjo
WHAT DIANA'S READING NOW
Tell Me Everything: The Story of a Private Investigation by Erika Krouse
In a Not So Perfect World by Neely Tubati Alexander
The Covenant of Water and Cutting for Stone by Abraham Verghese
Everyone But Myself by Julie Chavez
Tough Titties by Laura Belgray
It's important to give yourself permission to try different approaches and strategies when writing and publishing a book.
Don't feel pressured to follow the advice of others if it doesn't align with your goals or preferences.
Consistency and courage are key to finding success in your writing journey.
In this episode of the Write the Damn Book Already podcast, we discuss the importance of giving yourself permission to do what feels right for your book, regardless of the advice and opinions of others. Let's dive in and explore the power of embracing your own path.
In the world of book writing and publishing, there is no shortage of advice and opinions on the "right" way to do things. From running ads to choosing the perfect marketing strategy, it can be overwhelming to navigate through the sea of recommendations. However, it's crucial to remember that what works for one person may not work for anot...
Lauren Kay's young adult debut novel, We Ship It, was a dream come true, but it wasn't easy to get there. Now, she helps other writers achieve the same joy, minus the roadblocks. Having secured eight agent offers in a month, she works with authors dreaming about a traditional publishing deal to help them write irresistible query letters.
Neely Tubati Alexander's second novel, In a Not So Perfect World (March 2024, Harper Perennial), was noted a "Best Romance to Read in 2024" by Cosmopolitan and received starred reviews from both Publishers Weekly and Kirkus.
In her second appearance on the Write the Damn Book Already podcast, we discussed her two-book deal with HarperCollins, and how her writing process and industry perspective shifted from Book 1 to Book 2.
Neely ...
Have you ever wondered how authors juggle character's voices when writing from multiple perspectives? In this episode of the Write the Damn Book Already podcast, it's just one aspect of the creative labyrinth I chat through with Sarahlyn Bruck, author of Light of the Fire (Lake Union Publishing, January 2024) as well as Daytime Drama and Designer You.
The evolution of authors' writing processes and the essential practice of breadcrumbing to keep readers hooked.
The art of writing in multiple POV
Unforeseen delays and the art of book release timing
Personal challenges authors face when weaving their personal threads into the tapestry of fiction and memoir
Sarahlyn's experience working with a book coach (she still has one!) and the impact of editorial feedback
Sarahlyn Bruck writes contemporary, book club fiction and is the award-winning author of three novels: Light of the Fire (January 2024), Daytime Drama (20...
In the world of book writing and publishing, it's critical to distinguish between the role of a publishing house and that of a printer. While they both play important roles in bringing books to life, their functions and responsibilities differ significantly.
A publishing house is an organization responsible for acquiring, (sometimes) editing, producing, (sometimes) marketing, and distributing books.
Depending on whether you work with a traditional publishing house or a hybrid publishing house, your publisher may or may not edit or actively market your book. Those may be aspects of your publishing journey you need to source separately from your publisher. (And, of course, if you're self-publishing, you're responsible for all of the above. But unless you're printing off copies from your office like Nick and Jess did for The Pepperwood Chronicles in "New Girl", you're the publisher, not the printer.)
The publisher acts as the intermediary between authors and readers, providing compreh...